The body of each pluck has random granular textures that add organic and random artifacts. Modelled plucks were processed through special granular FX courtesy of. These samples provide a new depth of sound when programmed with Omnisphere 2’s amazing array of tools and effects.ģ new plucks add to Ethereum’s versatility. Outboard synthesizer creations were processed through vinyl fx processors – creating pads that have vintage vibe with record noises and wow and flutter (random pitch fluctuations). These additional sounds allow for endless combinations that take you on a journey of new sonic discoveries.Įtherium provides a throwback to the synth sounds of the 60’s and 70s with the inclusion of “vinyl pads”. Along side ultra-ethereal pads, Etherium includes guitar, bell and pluck creations – with new Sub Phatty-sourced ambient basses. New processing techniques were applied to custom programmed synth pads and more. Spectrasonics’ award-winning sound development team even went so far as to sample the melodic sound of the stalactites hanging in a radioactive cave in eastern Europe, just to give Omnisphere 2.8 its unique edge.Etherium journeys into new sonic territory with a variety of sounds ideal for futuristic blockbuster soundtracks or weekend church services. Then you also have all kinds of unique and specialized sounds to look forward to, including a library of exciting EDM patches, exclusive Soundsources from Diego Stocco’s custom-built instruments, circuit-bent tones, and psychoacoustic effects. Omnisphere 2.8 rocks a killer sound library with over 14,000 patches organized in such a way that you can quickly find the kind of sound you’re looking for.
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While the prospect of commanding this much synthesis power might be intimidating, you can forget about starting from scratch or even investing a whole lot of time into tweaking your sounds: if you just want to be able to call up a patch and make music, Spectrasonics Omnisphere 2.8 has you covered. The awesome power and versatility of Spectrasonics’ flagship soft synth have established it as the sonic weapon of choice for musicians and producers who need a massive arsenal of next-level sounds for records, sound design, games, and film scores. Supported hardware synthesizers for Omnisphere 2.8: And to accompany Omnisphere 2.8’s expanded capabilities is a new re-sizable, high-resolution interface that puts the sounds you want and the tools you need to tweak them in your hands faster than ever before.
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New features include potent Granular, Harmonia, Innerspace synth engines the ability to intuitively zoom into deeper synthesis levels Hardware Synth Integration, which transforms over 30 popular synthesizers into hands-on controllers that unleash Omnisphere’s full sonic firepower and much more. Omnisphere 2.8’s powerful synthesis engine is loaded with over 14,000 beastly sounds with four layers per patch, 57 powerful FX Units, and more ways to create original sounds than you can imagine. Omnisphere 2.8 includes 600 new patches, expanded hardware synth integration, and arpeggiator upgrades such as new Pattern modes, step dividers, pitch slides, and the ability to alter chord voicings and inversions per step.
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For years, Omnisphere has been an essential virtual instrument for songwriters, sound designers, and composers ranging in genre from EDM to cinematic scoring, but Spectrasonics Omnisphere 2.8 software synth totally ups the ante with a truckload of new features that instantly grabbed the attention of the electronic musicians and serious synth mavens here at Sweetwater.
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